I found a lovely spot along the tanker lined shores of Singapore to draw. Happened to fall in love with the place when I spotted all these gorgeous foreground to background variations. They also had an awesome chicken curry. I've taken some photos so you can see how the drawing and the reality match up, unfortunately by the time I took my camera out we had already left my vantage point so these are just approximations of the view. One of these days I'll get around to filming my process, but for now just photos.
Wednesday, January 19, 2011
Sunday, January 9, 2011
Thursday, January 6, 2011
Taking my time in the New Year
It has been a while since I've used tone to help create depth and aid in differentiating people in an image. And for me it certainly is laziness to a certain extent. But I'm glad I made the effort for this image since it really helps complete the composition and help highlight certain features and characters that would otherwise be lost.
It's always worthwhile to consider different ways of making an image work and not constantly rely on familiar line making or easy compositions. You can often find a few illustrators or artists who stick to the same composition over and over. A particularly famous one is the forward shot of a character floating in a white void. While this is an enjoyable composition, and at times the correct composition for an image, character or product design, learning to be dynamic and engage with backgrounds is a really important skill to manage. Learning what you can do, and what you enjoy doing with backgrounds or a full page image takes time.
Choices in depth vs flatness, tonal variation vs large slabs of color, or changes in style between the focus point and the background can come naturally to some, and not so naturally to others. So its good to practice and push what you’re capable. Here’s to new goals for the new year.
Sunday, November 28, 2010
More inks
Friday, November 12, 2010
Ink spots and advice
Interpretation is a wonderful tool, and its use should be planned for in every picture. Too many images are blunt in their meaning and their approach to a topic. Without subtlety, mystery or gaps set in the image, whether it be visually or conceptually, you might up with a picture that doesn't engage the mind.
What we have here could be an angry little boy running and yelling. Or a kid with a radioactive head. I will leave it up to the viewer to decide.
Monday, November 8, 2010
Waiting for beach weather
After coming away inspired by Matt Huynh's lovely ink works at the Papermill I did a few tests and spot illustrations. This is one of them, and after being caught in yesterday's downpour (which included heavy fat tropical rain mixed with little evil bits of hail) I decided to add a bit of colour and hopeful wishing. Fingers crossed for sunny weather.
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